Books and Plays by Wade Bradford; Plays for children - comedic monologue - comedic female monologues - drama resources - creative writing class - scbwi members - publishing business - how to be a children's book author - middle grade novel - fantasy novels - writing prompts
His real name: François-Marie Arouet
He was born in the late 1600s. French philosopher, author, political satirist. His many essays promoted civil liberties, including freedom of religion, and freedom of speech.
He was a deist who, some say, encouraged tolerance... yet he was highly critical of organized religions, to the point that many scholars perceived his work as antisemitic, anti-Catholic, and anti-Islamic.
Cool quote: "It does not require great art, or magnificently trained eloquence, to prove that Christians should tolerate each other. I, however, am going further: I say that we should regard all men as our brothers. What? The Turk my brother? The Chinaman my brother? The Jew? The Siam? Yes, without doubt; are we not all children of the same father and creatures of the same God?" Here's an excellent overview of his life and lasting influence:
His novella Candide pokes fun at the simplistic philosophy that life on Earth is "The Best of All Possible Worlds."
Speaking of the best of all possible worlds... Do you like Candide? Do you like musicals? Then maybe you'll like Leonard Bernstein's musical: Candide!
What is Commedia dell'Arte? According to Encyclopedia Brittanica it is a "lost" theatrical art form.
We know a lot about this style of theater... but because of the improvisational nature of Commedia dell'Arte, much delivery, dialogue, costumes, and jokes are lost to the ages.
But we do know many of the key ingredients...
The Great Outdoors:
Performances of Commedia dell'Arte began in Italy in early to mid 1500s. In contrast to dramas and tragedies, these comedies tended to be performed outside, and were attended by the general population.
Traveling Troupes:
Actors of Commedia dell'Arte were typically nomadic, traveling from one village (or city) to the next. As the demand for this art form thrived throughout much of Europe (including France), troupe became even more mobile.
Costumes and Masks:
Distinct colors and fabric patterns denoted the different stock characters. Masks featured highly exaggerated facial features. (I think all of them look creepy, but maybe that's just me.)
Women in the Theater:
Take that, Shakespeare! The first professional actresses (since the fall of Rome) performed Commedia dell'Arte.
It wasn't pure improvisation... Most shows had a rough sketch with a clear conflict, beginning middle and end. Actors knew each others characters so well that they developed comedic routines, speeches, quips, and pratfalls.
The medium flourished for centuries... evolving into many different theatrical forms. Including... our hero of the afternoon...
As well as modern day silly people at Renaissance Fairs...
And don't forget these guys...
Unfortunately... when Napoleon took over most of Europe he did not care for the satirical nature of Commedia dell'Arte... So he had it outlawed in 1797.
But let's back up again... before that that 5 foot, Seven inched general ruined everything.
In the golden age of Commedia dell'Arte, most troupes consisted of at least ten players. Most storylines contained what was called the Usual Ten...
Four Innamorati (Two pairs of Lovers)
Two Vecchi (Old men who are often greedy or overbearing or both)
One Captain (who is boastful yet usually a coward)
One Colombina ( often a maid, almost always a trickster -- sound familiar?)
Two Zanni (trickster characters / sometimes servants)
Now... where does Moliere come into play? He was born Jean-Bapiste Poquelin... he adopted his stage name later in life. The year of his birth was 1622... just six years after the death of Shakespeare. Hmmm...
(Reincarnation, anyone?)
This French-speaking vlogger provides a quick overview of the playwright's career...
